Carpinteria Foothills Residence is a contemporary hillside residence designed by Neumann Mendro Andrulaitis Architects and located in California, USA. Overlooking a coastal ridge-top landscape, the home opens up towards it, through generously-sized glazed windows. According to the architects, “the program asked for a master suite, one guest room, a study for two, a more contained den and an informal open living space they could share with their children and grand children. The site strategy was to separate the guesthouse, pool and pool house from the main house, by locating them amongst the oaks on a lower terrace. The smaller structures were easier to place around the mature oak trees without disturbing their root systems. Each structure has its own orientation and privacy.” The interior design is highly modern and each room comes with stunning views. A courtyard invites the inhabitants to enjoy outdoor activities and front row seats to nature’s spectacles.
A good building should make you want to look at it. Even if not always liked by passers-by, it should always make them feel something. Manchester Metropolitan’s University’s business school is a building that effortlessly fits this criteria. Indeed for many, the building by Feilden Clegg Bradley Studios is their first taste of the architecture of Manchester as they travel along the arterial road, Mancunian Way. With its distinct ski-slope roof, and glittering mirrored appearance, it provides a flash of silver, and a dazzling break from the dull greys of the motorway, greeting motorists in a slightly space-age way as they enter the city
An example of a huge success is Heneghan Peng Architects’ Giant’s Causeway Visitors’ Centre in Antrim, Northern Ireland. Using the large difference in level across the site, the architects created two folds in the landscape. Bold, but not conflicting with the rather bleak natural environment, these folds draw all the man-made areas together and create one fitting man-made break in the natural landscape. In the words of the architects themselves, There is no longer a building and a landscape, but building becomes landscape and the landscape itself remains spectacular and iconic