Meet extravagance and subtle luxurious details! The residential project, Lucerne House, Auckland, New Zealand designed by Daniel Marshall Architects is the result of an ingenious plan that implied a conceptual reframing of a house. What was really curious and different about it was the insertion of a garage which had to be concealed and included into the house’s design line. The client’s wish was to obtain that perfect mix of functional and outstanding, in order to accommodate an exquisite line of classic cars. Like the architects said: “The brief was very specific, with garaging a number of classic cars a primary concern.”
Having that in mind, the architects created a wide parking area, carefully masking the garage and adding a touch of personality to the residence. As you step inside, you enter a place flooded with light. In my opinion this is the optimum way of creating a joyful environment. The contemporary -classic fusion of black and white, along with the elegant line of furniture inspire comfort and fit perfectly with the client’s taste for classic design. The element of surprise is undoubtedly the chandelier, the artistic object of design that embellishes the living room. Large glossy spheres of glass hang from the ceiling, making an impression on whoever visits this place. Plenty of glass has been used for the finishing, creating a transparent and spacious environment. Nothing seems too much or too little. It’s the right amount of everything to keep those classic details rocking. Neutral and classy, the project is an outstanding home, with outstanding details of interior design.
An example of a huge success is Heneghan Peng Architects’ Giant’s Causeway Visitors’ Centre in Antrim, Northern Ireland. Using the large difference in level across the site, the architects created two folds in the landscape. Bold, but not conflicting with the rather bleak natural environment, these folds draw all the man-made areas together and create one fitting man-made break in the natural landscape. In the words of the architects themselves, There is no longer a building and a landscape, but building becomes landscape and the landscape itself remains spectacular and iconic
A good building should make you want to look at it. Even if not always liked by passers-by, it should always make them feel something. Manchester Metropolitan’s University’s business school is a building that effortlessly fits this criteria. Indeed for many, the building by Feilden Clegg Bradley Studios is their first taste of the architecture of Manchester as they travel along the arterial road, Mancunian Way. With its distinct ski-slope roof, and glittering mirrored appearance, it provides a flash of silver, and a dazzling break from the dull greys of the motorway, greeting motorists in a slightly space-age way as they enter the city